This panel is composed by eleven people, from Poland, Spain, Serbia, Croatia, China, Slovenia, and Portugal. The panel provides a spectrum of insights upon the classical accordion within the realms of pedagogy, microtonal and equal-temperament systems, didactics, original music literature, musical transcription, interdisciplinarity (f.x: “Unveiling the Soundscape Between Accordion and Plant Bioactivity”), artistic interpretation and music theory.
